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Yoko Omori

Born and raised in Japan, Yoko Omori began studying ballet in childhood and later explored contemporary dance and hip-hop as a teenager.

She won the Outstanding New Artist award and the Touch-point Art Foundation Award at the Yokohama Dance Collection in 2019 and the Best Dancer award at the Yokohama Dance Collection in 2021.

In June 2022, she won Second Prize and Technicians Prize ex aequo for her work Help at the international competition Danse Élargie, held at Théâtre de la Ville in Paris. Her piece Help also received both the Grand Prize and the Audience Award at the Kyoto Choreography Award 2022.

In September 2023, in partnership with Théâtre de la Ville, she undertook an artistic residency in our Studio, and presented her solo work PLAIN-chan at Oriente Occidente Dance Festival, La Biennale de Lyon (Lyon, France), and Focus Jeunes Chorégraphes Danse Élargie (Paris, France).

Following this, at Yokohama Dance Collection 2023, she was awarded the Prize of the French Embassy in Japan – Dance Reflections by Van Cleef & Arpels, for Young Choreographers, as well as the Toyohashi Arts Theatre PLAT Prize. In the spring of 2025, she is scheduled to undertake an artistic residency in France.

Yoko Omori arrived in 2023 in our Studio with a new work in progress, titled PLAIN-chan.

In this new piece for her supple and sinuous body, Omori dances as if she were a character detached from her emotions. «Contrary to what I have explored so far in solos such as Help in which I danced my ghosts and myself - the young artist explains - here I am a character far away from myself».

From here comes the title of the piece where the english adjective plain, "simple, ordinary", refers to the idea of a person with a two-dimensional, nuance-free, typified existence, to which, however, Omori adds the Japanese term chan, used, the author further explains, «in my mother tongue in addition to a proper name of a person to refer to that person in a friendly way. And it's kind of like saying I love this simple character I bring to the stage».

The imagery he brings to his work is that of anime and video games but, just as his professional biography, she blends classical training with contemporary and hip hop influences, combined with that of the most traditional of classical ballets: Swan Lake.

Her work is also being created through props, a selection of everyday objects, and music, composed for her by a japanese composer, which seems to move in a parallel way to the dance, overlapping rather than meeting.