In the culture of media overexposure and appearance, our bodies have increasingly become images to be displayed, objects of stories to be consumed non-stop, figures subjected to the curious and inquisitive gaze of unknown observers. In this diptych entitled Frammenti d’infinito, Aristide Rontini first takes bodies out of the direct light by making them shadows that lose their boundaries and vanish into the open horizon of infinity, and then he multiplies them, making them more numerous by drawing them from different communities. And, once again, he shows us their - and our - infinite possibilities of being.
The second part of the work is the result of a community workshop that the choreographer held in Rovereto with non-professionals, dance and theatre lovers.
